The film is
finished
in sound.
Audio post for documentaries, independent films, and festival cinema — from picture lock to festival master.
Every film runs as one session — dialogue, design, music and atmosphere brought to a single, balanced mix.
Sound on Academy Award–winning features and Berlin, Venice & Cannes prize-winners.
Heard in the dark,
credited in the light.
A small, selective slate. We take the films we believe in and finish their sound end to end — dialogue, design, and the final mix.
Academy Award · 2017
The Salesman
SOUND EDITOR
Acadeny Award . Best International Feature . 2017
Academy Award · 2012
A Separation
SOUND EDITOR
Acadeny Award . Best International Feature . 2012
Cannes · 2009
Like Someone in Love
SOUND EDITOR
Japanese Professional Movie Award — Best 5 Films (2013) · In Competition, Cannes (2012)
Berlinale · 2009
About Elli
SOUND EDITOR
Silver Bear . Berlinale . 2009
Venice · 2008
Shirin
SOUND EDITOR
World Premiere · Venice Film Festival · 2008
Berlinale
About Elli
SOUND EDITOR
Silver Bear . Berlinale . 2009
Berlinale · 2008
The Song of Sparrows
SOUND EDITOR
Nominee golden Bear . Berlinale . 2008
Cannes · 2012
SOUND EDITOR
Cannes Critics’ Week · ACID Award · 2009
One session,
picture lock to
master.
Every project runs as a single, tracked session. You always know which reel you’re on and what leaves the room next.
Reza Narimizadeh
FOUNDER & RE-RECORDING MIXER
Forty years across festival, documentary & independent cinema
Finishes, not
line items.
We work in complete finishes shaped around your film and your festival calendar — not an à la carte menu.
Finish 01
DOCUMENTARY
AUDIO FINISH
Field-recorded dialogue rescued, designed, and mixed for the cut, built for long-form verite.
DIALOGUE . DESIGN . MIX
Finish 02
Independent
Film Audio
A complete post-sound pass, from spotting session to a mix that travels from laptop to cinema.
FULL POST
Finish 03
Festival
Delivery Package
Subtitles, localization, titles, end credits and QC’d master cut to each festival’s exact spec.
SUBTITLES . TITLES . QC
Northern Grammar
Two years of handheld field recording across four countries — wind, rooms, and generators under nearly every line. We rebuilt intelligibility scene by scene, then designed a landscape quiet enough to disappear.
“They found the film’s voice inside the noise. Nothing sounds fixed — it just sounds true.”
— J. Okonkwo, Director
Tell us
about your film.
Send the essentials. We reply within two working days with an approach and a schedule — not a boilerplate quote.
Or write directly — info@studiomoon.us
Finishes, not
line items.
We work in complete finishes shaped around your film and your festival calendar — not an à la carte menu.